Non-UK Test Cards and Captions |
Including examples of long-distance reception |
Contents |
Non-UK Test Cards |
More than just a pretty face |
Test Card History |
ERE ARE some test cards from continental
Europe and elsewhere that were used around the same time as the
UK 405-line examples. Some are
off-screen shots of signals received here in Sheffield in the late
nineteen sixties and early seventies whilst others are scanned from
cuttings that I collected for identification purposes.
Some of the off-screen photographs of
UHF reception were taken from production sets - a Ferguson 19-inch
dual-standard receiver and a PYE 22-inch colour receiver rather
later. Other UHF and all VHF reception were photographed from
either a 12-inch PYE 405-line receiver of 1950 vintage converted
for 625-line VHF operation or a home-brew 20-inch 625-line only
receiver constructed in 1970 from a design published in Practical
Television magazine and converted for VHF/UHF operation.
Many of the colour cards and patterns were photographed from monochrome receivers. I have a nifty routine that combines the chroma from one file with the luma from another and I have used it to add the colour elements to some of these shots, pinched from colour photographs. It isn't cheating; honestly. Can you spot the ringers?
Several countries' broadcasting organisations used UK-style test cards and where they did, the UK versions are shown alongside for comparison. I have also included pictures of the station clocks. They were an excellent means of identifying a transmission in the evening when there were no test cards about, and so I took pictures of any I saw, for future reference. They are very much a rarity, along with test cards, these days.
It's worth noting that many of the stations listed here are now available either free-to-air, or encrypted with certain shows sent in the clear, in digital and/or analogue on one of the many satellites serving Europe.
Details of all the CCIR transmission systems are given in World TV Standards and Waveforms, and the links given for each country below lead to frequency allocations, where they are known.
Generic cards |
IRSTLY, HERE is a collection of 'standard'
test cards and patterns that were designed and published by
equipment manufacturers and trade associations around the world.
Many broadcasters used one or other of them in preference to
commissioning their own designs.
![]() SMPTE optical monocrome test card |
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![]() RCA 'Indian Head' optical monochrome test card |
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![]() Marconi optical monochrome Resolution Chart No 1 |
![]() RMA optical monochrome Resolution Chart 1946 |
![]() RETMA optical monochrome Resolution Chart 1956 |
![]() Telefunken optical monochrome Test Card T05 |
![]() Optical monochrome Test Card C |
![]() Optical monochrome Test Card D |
![]() Optical monochrome Test Card E |
![]() Optical colour Test Card F |
![]() Optical monochrome Test Card G |
![]() Electronic monochrome test pattern |
![]() Electronic monochrome chequerboard pattern |
![]() Philips PM5540 electronic monochrome test pattern |
![]() Fernseh/Telefunken FuBK electronic colour test pattern |
![]() Philips PM5552 electronic colour test pattern |
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![]() Philips PM5544 electronic colour test pattern |
Country-specific Cards |
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The Flemish language BRT used System C for its 625-line pictures whilst RTB, the French language service, originally broadcast System F 819-line pictures using the same channel allocations and therefore in a much reduced bandwidth compared to that used for the 819-line standard System E transmissions used in France. Then, in February 1969, the System F transmissions ceased and both BRT and RTB used System C on vhf, but on uhf they used System H/PAL, almost identical to System G/PAL as used in most of the rest of Europe. On 25 April 1977 the vhf System C +ve modulation transmissions were changed to System B/PAL, giving Belgium a single standard for the first time though the Brussels Ruiselede transmitter on channel E2 continued on System C until 1 April 1978. All this change must have delighted the setmakers in Belgium, where from the outset receivers had to be capable of receiving the Belgian 625- and 819-line services plus the slightly different ones of neighbouring France and the Netherlands.
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When the second channel started in colour, relay stations for the first channel were also added on uhf, though on 819 lines fitted into 625-line channels with a consequent loss of horizontal resolution. Following the introduction of the third channel, FR3, programmes from TF1 were radiated in 625-line SECAM colour during non-FR3 programme hours, pending the introduction of a dedicated first channel network on System L 625/50. In 1981-84, the vhf network was converted to 625-Line Standard L working, giving France a single standard again.
Apart from the optical card with colour pictures in the centre, ORTF (Office de Radiodiffusion Télévision Française) also used an electronic colour chequerboard pattern and the PM5544 for its colour services, which later included a third channel. |
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Since reunification, DFF has been subsumed into two new ARD regional services (RBB and MDR), plus the existing NDR. Details are in the West Germany section, which follows almost immediately.
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The first two cards shown are from the 1950s, the first used by NDR, WDR and SFB, and the second by the commercial Saarländisches Fernsehen channel. When Saarland joined the newly created Federal Republic in 1959, it already had commercial stations running on the French 819-line standard, but these were closed down and replaced by SR on 625-lines. As well as West Germany's own System B/G stations in the 1960s and 70s there were also transmissions from the American Forces Network AFRTS using the US System M 525-line standard with 4.5MHz vision-sound carrier spacing and allocated to channel E9 and a handful of System G uhf channels.
The transmitter network was owned and run by the Deutsches Bundespost (DBP) and they originated the test cards. During trade tests, each main transmitter radiated an identification slide on the hour and half-hour for a few minutes.
The ARD networks have changed slightly since reunification to take
in the former East German DFF service and SFB.
The current line-up is as follows:
All regions of the three networks together with their associated radio stations are currently available in the clear on analogue and digital from the Astra 1 satellite positioned at 19.2° east. They have been joined by private broadcasters, of which the largest is RTL (Radio Télé Luxembourg), followed by Sat 1 and Pro 7. 3SAT is a public service channel run jointly by ARD, ZDF, the Swiss German-language broadcaster Schweizerische Rundspruch-Gesellschaft (SRG), and the Austrian broadcaster Österreichischer Rundfunk GmbH (ORF). |
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![]() Electronic monochrome test pattern |
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Following the opening of a large number of pirate television
stations all over Italy, RAI was one of the first broadcasters to
introduce the much-derided permanent on-screen channel ident, which
popped up at random in any of the four corners. There is now a
third channel, Rai Tre, and many specialised satellite and cable
channels, all in colour of course, in addition to legal non-RAI
stations. Here is a selection of captions and cards from the
Italian Free Stations: |
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![]() Telefunken optical monochrome test card ![]() FuBK electronic colour test pattern |
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These off-screen test card pictures were the first I ever took, using a borrowed 120-format camera, on a foggy Thursday evening in November 1967. The EBU electronic monochrome test pattern, newer ident and the clock were taken in 1972, when the local Sheffield BBC2 transmitter had started up on the same frequency, hence the strong co-channel interference. The colour picture was taken much later on 3 July 1976 and was a much weaker signal. I also took some pictures of NOS Teletekst during another tropospheric opening.
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The RETMA (Radio, Electronics and Television Manufacturers' Association) test card was used by several other countries, including Hungary. Its name was changed in 1975 to the EIA (Electrical Industries Association) Resolution Chart.
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The electronic chequerboard pattern was received on 19 July 1972 and was often also radiated by TVE Spain.
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TVE used a series of distinctive cards, including this electronic colour pattern which was introduced in 1975 and is still seen occasionally on satellite, and normally carried the 'tve' logo in large letters in the top blue segment of the circle. |
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Switzerland used a modified version of the RMA resolution chart in the 1950s, but changed to this distinctive optical monochrome optical test card in the 1960s. It had colour bars superimposed when I snapped it in 1969. The Z in the box at top right of the circle means the transmission centre was Zurich. Other identification letters were: B - Bellerive German language studio; L - Lugano Italian language studio; G - Geneva French language studio; U - Ütliberg transmitter; D - La Dole transmitter; Q - experimental transmission. The fully electronic FuBK pattern was received from the German language SRG1 on channel E3 in July 1972 via sporadic E propagation, and reconstructed versions from the Italian language TSI1 and French language SSR1 are shown below.
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Mike
Brown/MB21/Ether.net |
Compiled by Alan Pemberton
Sheffield, South Yorkshire, England
Email me